Writings by Mike

 

June 2019

Flot Suspendu (Véronique Piron, shakuhachi) CD review for European Shakuhachi Society Newsletter 2019/1
Full review here

 

May 2018

Asakusa Follies (Clive Bell, shakuhachis etc.) CD review for European Shakuhachi Society Newsletter 2018/1
Full review here

 

March 2017

New Notational Strategies for New Interpretative Paradigms:  Re-visiting the scores of Anestis Logothetis (1921 – 1994)
in Anestis Logothetis: Sound Images/Painted Sounds. Edition Triton, Barcelona/Vienna 2017

 

May 2016

Shakuhachi as a Noise and Technology Interface
phas.e platform 01.01 pp. 38 – 51

 

February 2016

New Notational Strategies for New Interpretative Paradigms:  Re-visiting the scores of Anestis Logothetis (1921 – 1994)
Perspectives of New Music
53, pp. 99 -120.

 

September 2015

Sillage (Véronique Piron, shakuhachi) CD review for European Shakuhachi Society Newsletter 2015
Text here

 

8th June 2012: Onassis Cultural Centre, Athens

Reviewing the Consistent Interpretative Aesthetic in Logothetis’ Graphic Scores
Paper presentation at Tribute to Anestis Logothetis – text here

 

January 2011

Anestis Logothetis: Permutationen (1957) for clarinet and percussion
Composer’s notes: English version (Athens: Hellenic Music Centre 2010)

 

November 2009

Lawrence Upton : A Song and a Film
Cover blurb to book of same title (London: Veer 2009)

 

November 2008

Anestis Logothetis: A biographical note
In Sauer, Theresa, ed., Notations21: an anthology of innovative musical notation, New York: Mark Batty 2008

 

September 2007

Performance and the Page: An artist’s investigation of the dialogue between the musical event and the written score
Ph D thesis, Dartington College of Arts

 

14th March 2007: ICCMR, University of Plymouth

The Computer, the Shakuhachi, the Pen: An artist’s tools
(To read a transcript of this lecture click here)